拟音不必追求真实音量，而要追求与画面同步和材质清晰。先按脚步、衣物、道具拆轨，再录制距离和力度不同的版本，混音时用短促的峰值帮助观众感知动作。 Foley should prioritize sync and material clarity over natural loudness. Track footsteps, cloth, and props separately, record variations in distance and force, and use short transients to make actions readable.